= Further credits = == Performance credits == The following credits are from page 2 of 6 of the gatefold cover, and are not reflected as relationships to this Release Dan Morphy: vibraphone on tracks 3 and 7; percussion on tracks 3, 6, 7, 8, and 9 Jeremy Vint: flugelhorn on tracks 4 and 8; trumpet on tracks 5, 6, and 9 Adam Jones: upright bass on tracks 4, 8, and 10; vocals on tracks 1 and 6 Ellen Marple: trombone on tracks 1, 4, 6, and 8 Jon Lundbom: electric slide guitar on tracks 1 and 7; electric rhythm guitar on track 1; banjo on track 8 Nichol Robertson: lead electric guitar on tracks 2 and 3; banjo on track 3 Phil Albert: electric bass on track 2; upright bass on track 3 Bob Hoffnar: pedal steel guitar on tracks 4 and 10 Lisa Hartl: trumpet on track 2 Robert Stevenson: clarinet on track 8 Marc Lindy: tuba on track 8 == Production credits == Recorded at Pacha Sound, Revolulion Recording, and Marquee Sound in Toronto, ON and at Blue Light Studios in Vancouver by Guillermo Subauste. Additional recording at Afterlife Studios by John Raham and Erik Nielsen and at Blue Light Studios by Kaj Falch-Niclsen in Vancouver, and by Bob Hoffnar at Bob Hoffnar's place in Austin Mixed by Guillermo Subauste at Pacha Sound in Toronto Mastered by Noah Mintz at Lacquer Channel in Toronto Graphic design by Alexandra Fox Cover photo credit: Kathkcn Allan Back cover photo credit: Curtis Mah Horn arrangements on ''Maze of Love'' and ''One More Time'' by Adam Jones. Horn arrangements on ''The Cavalry is Comin', Wayfaring Stranger Revisited. The Mountain Patrol'', and ''Old Blue was a Good Car'' by Benton Roark ''Special thanks'' to Kathleen, to the folks in the fam — Ann and Randy Roark, Nathan, Holly, Cora and Maddie Roark, Vicki and Robert Roark. and the rest of the Roarks and Hills and partners, to the Allan family, and to Brad Armstrong, to Ernie and Anne Hutton, to Skye, and to the many other good people that supported the record through PledgeMusic, to the musicians, magnanimous and excellent every one, to Jones for the killer charts, and to Guillermo — the Renaissance man — for everything and then some.
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